Live A Live shines when it experiments within the design conventions this kind of game provides. Actions are taken by scrolling through lists of moves and tools in a menu. Fights take place on grids that resemble digital graph paper, the player character and their group arrayed against a selection of enemies who politely wait in a queue for their chance to attack or heal.
There is, for example, a ninja tasked with rescuing a political prisoner from a well-guarded 19th-century Japanese castle, a young man trying to win the affections of a woman in an unnamed prehistoric land, and, in one of the best of these tales, a martial artist who travels the globe beating the snot out of rival fighters in order to become the strongest warrior in the modern world.Įach of these stories is structured within the loose framework of a turn-based RPG. This is largely due to Live A Live’s structure, which breaks the game into just under 10 short stories featuring characters living in vastly different periods of time.
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